Cartografía de las letras hispanoamericanas
Tejidos de la memoria
de Saúl Sosnowski
Otros contribuidores: Roxana Patiño (Director); Carlos Alberto Gazzera (Coordinación editorial de); Alejo Carbonell (Editado por); Silvina Fernanda Gribaudo (Diseñado por); Renata Chiavenato (Otro); Roxana Patiño (Editor consultor)
Colección: Poliedros
Subcolección: Zona de Crítica
Título original: Cartography of the Hispano American Literature. The Fabric of Memory
Temática: Literatura: historia y crítica; Estudios literarios: c. 1900-c. 2000; México, Centroamérica, Sudamérica, Latinoamérica
Palabras clave: Crítica literaria, Literatura argentina, Literatura Comparada, Literatura hispanoamericana
Público objetivo: General / adult
ISBN: 9788419575128
Editorial: Eduvim
Idioma de publicación: Spanish
Idioma original: Spanish
Número de páginas: 226
Fecha de publicación: 17/07/2015
Formato: Paperback / softback
Detalle del Formato: Rústica Fresada - Con solapa
Dimensiones: Alto: 198,0 mm; Ancho: 139,0 mm
Cartografía de la literatura hispanoamericana diseñada Saúl Sosnowski, uno de los principales criticos literarios latinoamericanos.
Veure més
"Facing a literary text, what tools do we use to understand it, enjoy it and incorporate it to the system that determines our critical thinking? What map do we draw of Hispano American literature? Speaking about cartography, which are the points that we choose to draw? Which are the multiple ways and access we propose by doing it?"
These and other important questions appear in the itinerary of Sosnowski's own cartography through the essays included in this volume: a compilation of key contributions from the last two decades of one of the main Latin American literary critics.
The panopticon comprises the most interesting stages of Sosnowski's production: from his lucid analysis of the critical approach of continental literature and its implications in the culture by the end of the century, to the policies of memory and oblivion in the Southern Cone and the search that nowadays continues to reverberate from his first works on Borges and the Kabbalah, as well as on Cortazar's work.